| Movie |
Music Title |
Composer |
| N/A | A Monkey’s Tale | Karpman, Laura |
| 3[1.2.pic] 2[1.eh] 2[1.bcl] 2[1.cbn] - Erhu - 4 2[c.c] 3 1 - T+P - pno/cel - hrp - str |
| Anastasia | A Rumor in St. Petersburg | Flaherty, Stephen |
| 3:25 | 3[1.2.3/pic] 3[1.2.3/eh] 3[1.2.3/bcl] 2[1.cbn] - 4 3 3 1 - T+P - hrp - pno - accordion - balalaika - mandolin - str - choir |
| Aliens | Aliens Suite No. 1 - Main Title & Ripley’s Rescue | Horner, James |
| 8:15 | 3[1/pic.2/pic.3/pic] 3[1.2.eh] 3[1/Eb.2.3/bcl] 3[1.2.3/cbn] - 4 3 3 1 - T+P - hrp - pno/cel - str |
| Aliens | Aliens Suite No. 2 - Newt & Face Huggers | Horner, James |
| 5:38 | 3[1/pic.2/pic.3/pic/afl] 2 3[1.2.bcl] 3[1.2.cbn] - 4 2[1/echoplex.2] 3 1 - T+P - hrp - pno - str |
| Anastasia | Anastasia Suite | Flaherty, Stephen |
| 3[1.2.3/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 3 3 1 - T+P - hrp - pno - syn(opt) - accordion - mandolin - str - SATB choir |
| N/A | Avenues (Piano Concerto) | Shapiro, Theodore |
| 24:00 | 3[1.2.pic] 3[1.2.3/eh] 2 3[1.2.cbn] - tsax - 4 3 3 1 - T+P+drums - hrp - 2pno - str |
| Back to the Future | Back to the Future Suite (B2tF III End Credits) | Silvestri, Alan |
| 4:00 | 3[1/pic.2/pic.3/pic] 3[1.2.3/eh] 3[1.2.bcl] 3 - 4 4 4 1 - T+P - hrp - pno - mandolin - str |
| Back to the Future | Back to the Future Suite (Record Version) | Silvestri, Alan |
| 4:00 | 3[1/pic.2.3] 3 3 3[1.2.3/cbn] - 4 4 4 1 - T+P - hrp - pno - syn - str |
| Back to the Future | Back to the Future Suite (Record Version) | Silvestri, Alan |
| 4:00 | 3[1/pic.2.3/pic] 3 3[1.2.bcl] 3[1.2.cbn] - 8 4 4 2 - T+P - 2hrp - 2pno - str |
| Polar Express | Believe | Silvestri, Alan |
| 3[1.2.afl] 2[1.eh] 3[1.2.bcl] 2 - 4 0 3 1 - T+P - hrp - str - SA |
| American President, The | Big Speech, Big Finish | Shaiman, Marc |
| 7:30 | 2 2[1.2/eh] 2 2 - 4 2 3 1 - T+P - hrp - pno/cel - str |
| Bourne Identity, The | Bourne Identity, The | Powell, John |
| 6:00 | 0 0 0 1 - 0 0 0 0 - T+P - syn - str |
| Cast Away | Cast Away | Silvestri, Alan |
| 3:37 | 0 2[1.eh] 0 0 - 0 0 0 0 - pno - str |
| N/A | Chambers | Shapiro, Theodore |
| 2[1.pic] 2 2[1.2/bcl] 2 - 2 2 1 0 - T+P - pno/rhodes - recorded media |
| Cocoon | Cocoon Theme | Horner, James |
| 6:30 | 3[1.2.3/pic] 2[1.2/eh] 2[1.2/bcl] 2 - 6 4 4 1 - T+P - 2hrp - pno/syn - cel/syn - org - str |
| Moulin Rouge | Come What May | Baerwald, David |
| 4:45 | 2[1.2/pic] 2 2 2 - 4 3 3 1 - T+P - hrp - pno - syn - 2gtr - el.bass - drms - str - solo vocal (male & female) |
| The Last of the Mohicans | Concert Suite (Main Title, Elk Hunt, The Kiss, Fort Battle, Top | Trevor Jones |
| 3[1.2.3/picc] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 3 3 1 - T+P - hp - pno - str |
| Captain from Castile | Conquest | Newman, Alfred |
| 3[1.2.pic] 3 4[1.2.3.EbCBC] 3[1.2.cbn] - 4 4 4 1 - T+P - hrp - pno - str |
| Cast Away | Crossroads | Silvestri, Alan |
| 3:37 | 0 2[1.eh] 0 0 - 0 0 0 0 - pno - str |
| N/A | Dreamful Heart, The | Shapiro, Theodore |
| 4[1.2.pic.afl] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 2 3 1 - T+P - hrp - pno - cel -str - solo soprano |
| Last of the Mohicans | Elk Hunt | Jones, Trevor |
| 1:49 | TBD |
| Wyatt Earp | End Credits | Howard, James Newton |
| 4:50 | 2[1.2/pic] 2[1.eh] 2 2 - 6(2opt) 4 4 1 - T+P - hrp - pno - str |
| Rookie of the Year | End Credits | Conti, Bill |
| 2 3[1.2.3/eh] 2 2 - 4 3 5(5=opt) 1 - T+P - hrp - elecpno - syn - str |
| What Lies Beneath | End Credits | Silvestri, Alan |
| 6:44 | 2[1/pic.2] 2[1.2/eh] 2[1.2/bcl] 2 - 4 3 4 1 - T+P - hrp - pno - str |
| Fantastic Four 2 | Fantastic Four: Silver Surfer Suite | Ottman, John |
| 4:22 | 3[1.2/afl.3/afl] 1/eh 3[1.2.3/bcl] 2 - 8 3 3 1 - T+P - hrp - pno/cel - str |
| Robe, The | Farewell to Diana | Newman, Alfred |
| 3[1.2/afl.3/afl] 2[1.2/eh] 5[1.2.3.BbCBC.EbCBC] 2[1.cbn] - 4 3 3 1 - T+P - 2hrp - cel - str |
| Chicken Run | Final Escape | Powell, John |
| 5:00 | 3[1.2.3/pic] 3[1.2.3/eh] 3 3[1.2.3/cbn] - 6 3 4 1 - T+P - hrp - balalaika - choir/kazoos |
| Abyss, The | Finale | Silvestri, Alan |
| 6:46 | 3[1.2.3/pic] 3 3 3[1.2.cbn] - 4 4 4 1 - T+P - hrp - pno - str - SATB |
| Fools Rush In | Fools Rush In | Silvestri, Alan |
| TBD |
| Forrest Gump | Forrest Gump Suite | Silvestri, Alan |
| 6:34 | 2[1.2/afl] 2[1.2/eh] 3[1.2/bcl.3] 2 - 4 3 3 1 - T+P - hrp - pno - ac.gtr - str |
| Forrest Gump | Forrest Gump Suite | Silvestri, Alan |
| 6:34 | 3 3[1.2.3/eh] 3 3[1.2.cbn] - 8 4 4 2 - T+P - 2hrp - 2pno - ac.gtr - str |
| Last of the Mohicans | Fort Battle | Jones, Trevor |
| 4:20 | TBD |
| Various | Fox - First 50 Years Medley | Various |
| 3[1.2.pic] 3[1.2.eh] 3[1.2.3/bcl] 3[1.(opt).(opt)] - 3 3 3 0 - T+P+drums - hrp - pno - str |
| Various | Fox Fanfare | Newman, Alfred |
| 00:20 | 3 2 5[1.2.3(opt).bcl.EbCBC(opt)] 2 - 4 4 4 1 - T+P - str |
| Various | Fox Medley No. 1 | Various |
| 10:00 | 3[1.2.3/pic] 3[1.2.eh] 3[1.2.bcl] 3 - 6 4 3 1 - T+P+drums - hrp - pno - gtr - elec.bass - str |
| Various | Fox Medley No. 2 | Various |
| 10:00 | 3[1.2.3/pic/afl] 3[1.2.3/eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - 6 4 3 1 - T+P+drums - hrp - pno/cel - gtr - str |
| Various | Fox Medley No. 3 | Various |
| 3[1.2.3/pic] 3[1.2.3/eh] 3[1.2.bcl] 3 - 6 4 3 1 - T+P+drums - hrp - pno - gtr - harmonica - elec.bass - str |
| Various | Fox Movie Medley No. 1 | Various |
| 3[1.2..3/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 4 4 1 - T+P+drums - hrp - pno/cel - gtr - str |
| Various | Fox Movie Medley No. 2 | Various |
| 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 4 4 1 - T+P+drums - hrp - pno/cel - gtr - str |
| Various | Fox Overtures Medley | Various |
| 0 0 0 0 - 2asx 2tsx barsx - 0 4 4 0 - pno - gtr - bs - drms |
| Viva Zapata | Gathering of Forces | North, Alex |
| 2 2[1.2/eh] 3[1.2.bcl] 2[1.2/cbn] - 4 3 3 1 - T+P - hrp - pno - str |
| Gentleman’s Agreement | Gentleman’s Agreement Suite | Newman, Alfred |
| 2 2 3[1.2.3/bcl] 2 - 2asax(opt) 2tsax(opt) - 4 2 3 1 - T+P - hrp - pno - str |
| Grand Canyon | Grand Canyon Fanfare | Howard, James Newton |
| 4:11 | ORIG. VERSION: 0 0 0 0 - 6 9 4 2 - T+P - str / REDUCED VERSION: 0 0 0 0 - 4 6 4 1 - T+P - str |
| Village, The | Gravel Road, The | Howard, James Newton |
| 4:30 | 2[1/rec.2/rec] 2 2 2 - 4 0 4 1 - T+P - hrp - pno - str |
| Great Expectations | Great Expectations Suite | Doyle, Patrick |
| 15:00 | 3[1.2.pic] 3[1.2.3/eh] 3[1.2.bcl] 3[1.2.3/cbn] - 4 3 0 0 - T+P - hrp - syn - 2gtr - str - Med. Voice |
| Endurance | Great Tree, The | Powell, John |
| 3[1.2.pic] 2 2 1 - 4 0 0 0 - cel - str |
| Lady In The Water | Healing, The | Howard, James Newton |
| 6:00 | 2 2 2 2 - 6 0 4 1 - P - hrp - pno - cel |
| Hoffa | Hoffa Theme | Newman, David |
| 8:00 | 2[1/afl.2/afl] 2[1.2/eh] 2[1/bcl.2/EbCBC] 2 - 6 3 3 1 - T+P - hrp - pno - syn - str |
| How the West was Won | How the West was Won | Newman, Alfred |
| 5:51 | 3[1.2.pic] 2 3[1.2.bcl] 2 - 6 3 3 1 - T+P - pno - str |
| Beowulf | I Shouldn’t Have Told You | Silvestri, Alan |
| 3[1/afl.2.3] 3[1.2.3/eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - 8 4 4 1 - T+P - 2hrp - pno - str - SATB |
| Forever Amber | I. Main Title - “Amber” | Raksin, David |
| 3[1.2/afl.3/afl/pic] 2 3 3[1.2.cbn] - 4 4[1.2.3.C] 3 1 - T+P - hrp - cel - str |
| Edward Scissorhands | Ice Dance | Elfman, Danny |
| 1:45 | 2 2[1.eh] 3 3 - 4 3cor 4 1 - T+P - 2CelticHrp - 2cel - str - synth and/or choir (S/A/Boys) |
| Forever Amber | II. The King’s Mistress | Raksin, David |
| 2 3[1.2.eh] 3 3 - 4 3[1.2.C] 3 1 - T+P - hrp - cel - str |
| Forever Amber | III. Whitefriars & IV. The Great Fire | Raksin, David |
| 4[1.2/pic.3/afl/pic.4/afl/pic] 3[1/eh.2/eh.eh] 4[1.2.3(opt).bcl/EbCBC] 4[1.2.3.4/cbn] - 4 4 4 1 - T+P - hrp - pno/cel - str |
| Anastasia | In the Dark of the Night | Flaherty, Stephen |
| 3:20 | 3[1.2.pic] 2 2 2 - 4 3 2 1 - P - str - SATB choir |
| Independence Day | Independence Day - Highlights | Arnold, David |
| 3[1.2.3/pic] 2 4[1.2.3.bcl] 2 - asx tsx barsx - 4 3 3 2(euph) - T+P - hrp - pno - org - syn - string bass |
| Independence Day | Independence Day Suite - 11 min. Version | Arnold, David |
| 11:00 | 3[1.2.3/pic] 3[1.d’am.eh] 3[1.2.bcl] 3[1.2.3/cbn] - 4 3 4 1 - T+P - hrp - pno - cel/org - str - SATB |
| Independence Day | Independence Day Suite - 5 min. Version | Arnold, David |
| 5:00 | 3[1.2.pic] 3[1.d’am.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 3 4 1 - T+P - hrp - pno/syn - cel/syn - str |
| Iron Horse, The | Iron Horse, The | Caliendo, Christopher |
| 135:0 | 1[fl/IndianFl] 1 2[1.bcl] 1 - 2 2 0 0 - T+P - pno - acc - ac.gtr - fiddle - str |
| Thin Red Line, The | Journey to the Line | Zimmer, Hans |
| TBD |
| Anastasia | Journey to the Past | Flaherty, Stephen |
| 3:00 | 3[1.2.3/pic] 2[1.2/eh] 3[1.2.3/bcl] 2 - 4 3[1/flgl.2/flgl.3] 3 1 T+P+drums - hrp(elec) - pno - syn - str - Solo Sop |
| Judge Dredd | Judge Dredd Suite | Silvestri, Alan |
| 5:34 | TBD |
| Last of the Mohicans | Kiss, The | Jones, Trevor |
| 2:47 | TBD |
| Laura | Laura’s Theme | Raksin, David |
| 3[1.2.pic] 3[1.2.eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - 4 3 3 1 - T+P - hrp - pno/cel - str - Optional Baritone voice |
| Anastasia | Learn to Do it Waltz | Flaherty, Stephen |
| 2:35 | 3[1.2.pic] 2 3[1.2.bcl] 2 - 4 3 3 1 - T+P - hrp - cel - str - Solo S, T, B |
| Best of Everything, The | London Calling | Newman, Alfred |
| 1 1 0 1 - 1 0 0 0 - hrp - cel - str |
| Bishop’s Wife | Lost April | Newman, Emil |
| 3 3[1.2.eh] 3 3 - 4 0 0 0 - T+P - hrp - pno/cel - syn - str |
| Two Weeks’ Notice | Love Theme | Powell, John |
| 3[1.2/afl] 2 2 2 - 4 0 3 1 - T+P - hrp - pno - str |
| Last of the Mohicans | Main Title | Jones, Trevor |
| 1:44 | TBD |
| El Cid | Main Title | Rozsa, Miklos |
| 4:00 | 3[1.2.3/pic] 3 3[1.2.bcl] 3[1.2.cbn] - 4 4 3 1 - T+P - org(opt) - str |
| Robe, The | Main Title | Newman, Alfred |
| TBD |
| Miracle on 34th Street | Main Title | Broughton, Bruce |
| 3[1.2.3/pic] 3[1.2.eh] 3[1.2.3/bcl] 3[1.2.cbn] - 4 3 3 1 - T+P - hrp - pno/cel - str - SATB(opt) |
| Edward Scissorhands | Main Title | Elfman, Danny |
| 2:30 | 2[1.2/afl] 2[1/eh.eh(opt)] 3[1.2/bcl.bcl(opt)] 2[1.cbn] - 4 3cor 4 1 - T+P - hrp - cel - syn - str - BoySop (opt) SA (opt) |
| Song of Bernadette | Main Title | Newman, Alfred |
| 3 2[1.eh] 5[1.2.bcl.BbCBC.EbCBC] 3[1.2.cbn] - 4 3 4 1 - T+P - 2hrp - 2cel - org - str |
| X-Files | Main Title Theme | Snow, Mark |
| 3:22 | 3[1.2.pic] 3[1.2.eh] 3[1.2/bcl.Eb] 2[1.2/cbn] - 4 3 3 1 - T+P - hrp - pno - syn - str |
| Thin Red Line, The | Main Title Theme | Zimmer, Hans |
| TBD |
| Hide and Seek | Main Titles | Ottman, John |
| 2:00 | 2[1.2/pic] 1[eh] 2[1.2/bcl] 2[1.cbn] - 3 1 3 1 - P - hrp - pno - cel - str - solo vocal(opt?) |
| Fantastic Four | Main Titles | Ottman, John |
| 2:15 | 3 1 3[1.2.bcl] 2 - 8 3 5 1 - T+P - hrp - pno - str - SATB |
| Chicken Run | Make a Crate | Powell, John |
| 3:30 | 2[1/pic.2/pic] 2[1.2/eh] 2 2[1.2/cbn] - 6 3 4 1 - T+P - hrp - pno - gtr - balalaika - SATB[+kazoos] |
| Mouse Hunt | Mouse Hunt Suite | Silvestri, Alan |
| 5:40 | 3[1.2/afl.3/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.3/cbn] asx asx/tsx - 8 4 4 2 - T+P - 2hrp - pno - pno/cel/acc - str |
| Mummy Returns, The | Mummy Returns, The | Silvestri, Alan |
| TBD |
| Bad and the Beautiful, The | Mvt. I: Love Is For The Very Young (M.T.) | Raksin, David |
| 3[1.2.3/pic] 3[1.2.eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - asx - 4 3 4 1 - T+P - hrp - pno/cel - str |
| Bad and the Beautiful, The | Mvt. II: The Acting Lesson | Raksin, David |
| string orchestra |
| Bad and the Beautiful, The | Mvt. III: The Quickies and Sneak Preview | Raksin, David |
| 3[1.2/afl.3/pic] 3[1.2.eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - asx - 4 3[C.Bb.Bb] 4 1 - T+P - hrp - pno/cel - str |
| Yoko and the Tooth Fairy | N/A | Newman, David |
| 2[1.2/pic] 2 2[1.2/bcl] 2[1/cbn.2/cbn] - 2 0 0 0 - T+P - hrp - pno - toypno - 2syn - rhodes - str |
| Polar Express | O Tannenbaum | Silvestri, Alan |
| 3[1.2.3/pic/rec] 3[1.2.eh/rec] 3[1.2.3/bcl] 3[1.2.3/cbn] - 8 3 4 1 - T+P - 2hrp - pno/cel - pno - str |
| Anastasia | Once Upon a December | Flaherty, Stephen |
| 3:35 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 4 3 3 0 - T+P - hrp - pno/cel - syn - str - SATB - solo S&B |
| One Fine Day | One Fine Day Suite | Howard, James Newton |
| TBD |
| Song of Bernadette | Overture | Newman, Alfred |
| TBD |
| All About Eve | Overture | Newman, Alfred |
| 3[1/afl.2/afl.pic] 3[1.2.3/eh] 3[1.2.bcl] 3[1.2/cbn.3/bcl/EbCBC] - 4 3 3 1 - T+P - hrp - str |
| Anastasia | Paris Holds the Key | Flaherty, Stephen |
| 3:00 | 2[1.2/pic] 1 2 1 - 2asx tsx tsx/bcl barsx - 4 3 3 0 - T+P+drums - hrp - pno/cel - accordion - gtr - jazz bass - str - SATB (opt. solo voices) |
| Passion of the Christ, The | Passion of the Christ Symphony, The | Debney, John |
| 70:00 | 3[1.2.pic] 3[1.2.eh] 2 2[1.cbn] - 2ethnicWW(duduk, tin whistle, pennywhistle, ob, fl) - 4 3 3 1 - T+P - hrp - pno - org(opt) - str - SATB + solo Sop, MSop, T |
| Winged Victory | Pennsylvania Polka | Rose, David (arranger) |
| 0 0 0 0 - 2asx 2tsx barsx - 0 3 3 0 - drums - pno - gtr - bass - vocal |
| Polar Express | Polar Express Suite | Silvestri, Alan |
| 6:00 | 3[1.2.3/pic] 3[1.2.eh/altorec] 3[1.2.3/Eb/bcl] 3[1.2.cbn] - 8 3 4 1 - T+P - 2hrp - pno/cel - str - SATB - children |
| Polar Express | Polar Express Suite (Record Version) | Silvestri, Alan |
| 6:00 | 3[1.2.3/pic] 3[1.2.eh/altorec] 3[1.2.3/Eb/bcl] 3[1.2.3/cbn] - 4 3 3 1 - T+P+drums - hrp - pno - pno/cel/syn - str |
| Scent of a Woman | Por una Cabeza | Gardel |
| 2[1.2/pic] 2 2 2 - 4 4 3 1 - T+P - hrp - pno/cel - str |
| X-Files | Post-Modern Prometheus | Snow, Mark |
| 2[1/pic.2] 2[1(solo).2/eh] 2 2 - 4 3 4 1 - T+P - hrp - pno/cel - str |
| Prince of Tides, The | Prince of Tides Suite, The | Howard, James Newton |
| 6:00 | 3[1.2.3/pic] 2[1.2/eh] 3[1.2.3/bcl] 2 - 6 3 3 1 - T+P - hrp - pno - str |
| Quick and the Dead, The | Quick and the Dead, The | Silvestri, Alan |
| 3:39 | TBD |
| All About Eve | Record Version | Newman, Alfred |
| TBD |
| N/A | Remember (in 5 short movements) | Newman, David |
| 3[1.2.pic] 2[1.2/eh] 2[1.2/bcl] 2[1.2/cbn] - 4 3[1/pic.2.3] 3 1 - T+P - hrp - pno/cel - str |
| Who Framed Roger Rabbit | Roger Rabbit Suite | Silvestri, Alan |
| 3[1.2/pic.3/pic] 3 3[1.2.3/bcl] 3[1.2.3/cbn] tsx - 4 4 4 1 - T+P - hrp - pno - Jazz Trio (pno, bs, drms) - str |
| Various | Salute to Darryl Zanuck Medley | Various |
| TBD |
| Song of Bernadette | Scherzo | Newman, Alfred |
| 2[1/afl.2/pic] 2 5[1.2.bcl.BbCBC.CBC] 3[1.2.cbn] - 4 0 0 0 - P - hrp - str |
| Signs | Signs Suite | Howard, James Newton |
| 5:42 | 3[1/pic.2/pic.pic] 2 3[1.2.bcl] 2 - 4 3 3 1 - T+P - hrp - pno - str - 2 solo [Vln} |
| Simpsons | Simpsons Main Title | Elfman, Danny |
| 1:17 | 2 [1.2/asx(or 2/cl)] 1 2[1.2/tsx/bsx(or 2/bcl)] 0 - 4 3 3 1 - T+P - hrp - pno/syn - syn - str |
| Sixth Sense, The | Sixth Sense Suite | Howard, James Newton |
| 7:00 | 3[1/afl/pic.2/afl/pic.3/afl/pic] 3[1.2.eh] 3 3 - 4 3 3 1 - T+P - hrp - pno - str - SATB |
| Robe, The | Slave Market | Newman, Alfred |
| TBD |
| Snow Falling on Cedars | Snow Falling on Cedars Suite | Howard, James Newton |
| 5:00 | 3[1.2.3/pic] 3[1.2.eh] 3 3[1.2.3/cbn] 4 3 3 1 - T+P - hrp - pno - str - SATB |
| N/A | Songs of My Father | Newman, David |
| 3[1.2/afl.3/pic] 3[1.2.3/eh] 5[1.2.3/Eb.bcl.bcl/BbCBCl] 3[1.2.cbn] - 4 3 4 1 - T+P - hp - pno - cel - str |
| Polar Express | Spirit of the Seasons | Silvestri, Alan |
| 2:33 | 3[1.2.3/pic] 3[1.2.3/eh] 3[1.2.3/Eb/bcl] 3[1.2.3/cbn] - 8 3 4 1 - T+P - 2hrp - pno/cel - pno - str - SATB + boys’ choir |
| N/A | Stars and Stripes Forever | Sousa, John Philip |
| string orchestra |
| How to Marry a Millionaire | Street Scene | Newman, Alfred |
| 5:39 | 3 [1.2.pic] 2 2[1.2/bcl] 3[1.2.cbn] - ssx 2asx 2tsx - 4 4 4 1 - T+P - str |
| Independence Day | Suite - End Tags | Arnold, David |
| 9:00 | 3[1.2.3/pic] 3[1.2/d’am.eh] 3[1.2.bcl] 3[1.2.3/cbn] - 4 3[1.pic.pic] 4 1 - T+P - hrp - pno - cel/org - str - SATB |
| Ice Age: The Meltdown | Suite from Ice Age: The Meltdown | Powell, John |
| 4:25 | 3[1.2.3/pic] 3[1.2.3/eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - 4 3 4 1 - T+P - hrp - pno/cel - gtr (or uke) - str |
| Under the Tuscan Sun | Suite from Under the Tuscan Sun | Beck, Christophe |
| 2[1/afl.2/pic] 2[1.eh] 2 2 - 4 0 0 0 -T+P - hrp - pno - gtr/mand - str |
| X-Men: The Last Stand | Suite from X-Men: The Last Stand | Powell, John |
| 3[1.2.3/pic] 3[1.2.3/eh] 3 3 [1.2.cbn] - 4 3 3 1 - T+P - hrp - pno - org - str |
| X2: X-Men United | Suite from X2: X-Men United | Ottman, John |
| 7:11 | 3[1.2.3/bfl] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] - 6 3[C.C.C] 3 1 - T+P - hrp - pno - str - SATB (opt?) |
| Superman Returns | Superman Returns Piano Suite | Ottman, John |
| 2 1 2 0 - 4 0 0 0 - hrp - pno - str |
| Superman Returns | Superman Returns Suite | Ottman, John & Williams, John |
| 7:00 | 3[1/afl.2/afl.3/pic/afl] 2[1.eh] 3[1.2.3/bcl] 3 [1.2.cbn] - 4 3 3 1 - T+Perc - hrp - pno - cel - str |
| Doctor Dolittle | Talk to the Animals | Newman, Lionel |
| 3[1.2/pic.3/pic] 3[1.2.3/eh] 3[1.2.3/bcl] 3[1.2.3/cbn] - 4 3 3 1 - T+P+drums - hrp - pno - str |
| Mr. and Mrs. Smith | Tango de los Asesinos | Powell, John |
| 4:26 | 1 0 0 0 - 4 3 3 1 - T+P - hrp - pno - accordion - gtr - str |
| Titanic | Titanic Suite | Horner, James |
| 19:00 | 3[1/afl/pwhistle.2/afl.3/afl(opt)] 3[1.2/eh.3/eh(opt)] 3[1.2.3/bcl(opt)] 3[1.2.3/cbn] - 4 3 3 1 -T+P - hrp - pno - syn - electric bass - str |
| Last of the Mohicans | Top Of The World | Jones, Trevor |
| 2:44 | TBD |
| N/A | Transitive Property of Equality | Karpman, Laura |
| TBD |
| Forever Amber | V. End Title - “Finale” | Raksin, David |
| 3[1.2.3/pic] 3[1.2.eh] 3 3[1.2.3/cbn] - 4 3 3 1 - T+P - hrp - str |
| Van Helsing | Van Helsing | Silvestri, Alan |
| TBD |
| Last Samurai, The | Way of the Sword, The | Zimmer, Hans |
| 8:00 | 2[1/pic.2/pic] 2[1.2/eh] 3[1.2/bcl.bcl] 2 - 2 3 3 0 - T+P - pno - str |
| Polar Express | When Christmas Comes to Town | Silvestri, Alan |
| 3[1.2.afl] 2[1.eh] 3[1.2.bcl] 2 - 4 0 0 0 - P - hrp - pno/syn - syn - str - SA |
| N/A | Wind Concerto | Newman, David |
| TBD |
| Wings of the Dove, The | Wings of the Dove, The | Shearmur, Edward |
| 1 1 1 1 - 1 0 0 0 - P - hrp - str |